Using tools to make tools
This section is to mention those various tools and such that are made here and there and are not described elsewhere. Since every tool that the watchmaker needs can not be purchased, it is quite common for a tool to be made. I originally planned to keep this on one page, but obviously this section has expanded significantly.
Note on some materials used in watchmaking
Using the proper material for a task is important. It directly influences how difficult the machining process will be and how useful the part will be when finished. Finding a good source of metals is important, some are fortunate to find a local place. I usually order from internet sources, the product is usually good, but shipping a box of metal across the country can be expensive.
Since many books do not provide much information about the materials being used, I thought it would be important to write them down somewhere, for future reference. I think materials vary, at least by name, from country to country and over time. However, with a little research an appropriate material can be identified.
Many steel parts (tool or watch part, etc.) will need to be heat treated to increase the hardness for their intended uses. I use oil hardening (O-1) tool steel (also known as 'drill rod' or 'silver steel') for all steel requirements in making watch parts. I am using L.S. Starrett brand drill rod and gauge plate, and I choose oil hardening mainly due to its availability in metric sizes to fit my collets. Daniels does mention oil-hardening several times. There are, of course, water-hardening, and types of air hardening. These designations relate to the required cooling rates and heating temperatures, etc. To be rather brusque about it, good steel is good steel, and one must simply learn its alchemy in the fire.
Starrett lists the following specifications for O-1:
O1 - color code Red
AISI/SAE O1 is a general purpose tool steel with good wear resistance, toughness and machinability.
Nominal Analysis (AISI 01)
Carbon ................... 0.90 %
Chromium ................. 0.50 %
Manganese ............... 1.20 %
Tungsten .................. 0.50 %
Vanadium .................. 0.20 %
Mild Steel: When making various gadgets and so forth which do not require heat treatment (hardening and tempering), a mild steel can be used. There are various types to be found, they are a low carbon form of steel with other additives making them softer, malleable, and/or 'free-machining'. The main advantage to these steels is that they are much easier to machine than tool steel (drill rod). The are often referred to as "cold rolled." A common alloy is 1018, and a more free-machining form is 12L14 steel. The latter is a leaded steel and it turns about as easy as 360 brass (below).
Iron (Fe) ....................... 97.91 - 98.7%
Carbon (C) ..................... 0.15% max
Manganese (Mn) .............. 0.85 - 1.15%
Phosphorus (P) ................ 0.04 - 0.09%
Lead (Pb) ....................... 0.15 - 0.35%
Sulfur (S) ........................ 0.26 - 0.35%
Brass: I used two types of brass, rod and sheet. Brass rod of "type 360" is leaded and free-machining. Thin rolled sheet is usually supplied as type 260, which does not work as well. Type 360 is available in many thicker plate sizes (>1/8 inch). Type 360 has the following specifications:
Copper Alloy Number: 36000
ASTM - B16
Typical Analysis in Percent:
Cu ....................... 60.0 - 63.0
Pb ......................... 2.5 - 3.7
Fe ............................ 0.35
Zn ............................. bal.
Starrett Catalog section for their tool steels.
Various lubricants are used to oil the lathe or to assist in machining steel or for use in tapping jobs. There are various brands available and experimentation will lead to which works best.
Making Hand Turning Gravers
I needed to tackle some hand turning, and therefore resolved to make some good quality gravers. The gravers normally sold by the various tool suppliers are actually for ENgraving and not turning on the lathe. William Smith, a well known clockmaker, has a 2 hour video which details the construction and use of hand made gravers using available lathe toolbit steel. I am more or less following this video.
The handle is made first from ½" dowel rod. I chose walnut, since it was available to me at a local woodworking supply and I like it... It simply gets drilled 1/8" with a wood drill bit to accept the 1/8" tool bit.
The end of the handle is turned down to make a shoulder for a collar. The brass collar is cut from ½" OD brass tubing and simply hammered onto the end. After which it is turned flush with the end of the handle. Obviously the purpose of the collar is to help keep the wood from splitting and therefore keep the tool bit in place.
This piece of dowel was a little bent and the turning of the shoulder was therefore not completely concentric, the collar is a little off center as well. It cleaned up okay, however.
The tool bits are 1/8" square and in differing grades of toughness. There are various brands of tool bit, I originally used Mo-Max brand from the Cleveland Twist Drill company, and later have switched to Arthur R Warner brand. The grades of tool steel differ in the steel alloy and usually designate a level of cobalt in the harder forms (e.g. 5% or 8% cobalt). A selection can be made and experimented with to find what works best as far as holding a sharp edge versus durability.
Another nice tool steel for use in making gravers is made by the Glendo Corporation in Kansas. They produce the GRS brand of tools and engraving type gravers and graver blanks. Their graver blanks are 3/32" square HSS tool steel blanks. Their brand of steel is referred to as GlenSteel. They are the smallest width HSS tool bits that I could find.
Bill's thoughts on HSS tool steel compared to carbide are as follows;
"Carbide gravers are very brittle, chip easily, must be sharpened on a diamond lap and require so much time to keep them in good condition that they are unsuited for general hand turning and the turning of most tempered steels. However, some steels (high grade watch staffs, French clock arbors, etc.) are so hard that one must resort to their use. Thus, when a carbide graver is needed, there is absolutely no substitute of which I am aware. As such, I have the greatest respect for them. However, the determining rule for saving time by avoiding their use should be: Use carbide gravers only when no other grave[r] will cut the metal at hand and only after the gravers described below have been tried and have failed. Each of those described below is far harder than an ordinary high carbon steel graver, and the hardness and wear resistance increases in the order listed.
The old fashioned high carbon steel gravers which have been the mainstay of the horological world for hundreds of years consume much time when being sharpened. Since shaping them on the bench grinder will draw the temper and ruin them, all sharpening must be done by hand on a bench stone or a special wet grinder. The gravers to be described here do not suffer this problem. Though harder than high carbon steel gravers and slightly more prone to chip, they can be reshaped at the bench grinder quickly and without harm provided one does not let them go red or cool them in water during the shaping process. Once properly shaped, the honing takes only a few strokes. Thus, far less time is consumed keeping them sharp than is required by either the carbide or the traditional high carbon steel gravers. Additionally, since they will cut almost any steel encountered in clockmaking and most of the steels encountered in other applications, they readily replace the carbide gravers for all uses except for a very few steels that are difficult to manage. However, both types of gravers are required and should be kept at hand."
The end of the blank is coned and while holding in a vise the handle tapped on with a mallet.
The cutting face is now ready to be formed on the grinder. A 60° angle is formed and checked with a protractor.
Smith recommends stoning the sides of the tool bits to remove the grinding marks left by the manufacturer. He also suggests rounding the bottom corner which contacts the T-rest. His method of sharpening the gravers is fairly straight forward and I will paste his instructions here, rather than attempting to rephrase them.
"... [The grinder] gives the graver a diamond face that has the same curvature as the grinding wheel—a most important point as will be shown later. As the graver is used it either develops small chips or the edge and/or the point wears away and requires either rehoning or reshaping followed by honing. Usually one rehoning can be done before reshaping is required. The amount of hollow grind remaining at the center of the diamond face determines whether to reshape and hone or to rehone. After the initial shaping (at the bench grinder—no red heat and no water cooling allowed), the graver must be honed. The time-honored stone for this is the fine side of a 2" x 6" coarse/fine India bench stone. I know of no satisfactory substitute. A Carborundum is definitely a no no! With the stone lying on the bench in front of you, hold the end of the graver with a pencil grip and place the diamond face as flat against the stone as possible. Because of the curved surface caused by the bench grinder, the graver will rest on its point and its heel and neither the right and left corners of the square will be touching the stone. So, tilt the top of the graver slightly to the right until the point, heel and right corner of the square touch the stone. Now, make long strokes with pressure. (This is quite important. Two short strokes which total the length of one long stroke will roll the graver twice as much as the single long stroke.) Eight or fewer such strokes (usually five) should bring up the two right hand edges of the diamond face. Now, with the face flat against the stone, tilt the top of the graver slightly to the left until the left corner of the graver touches the stone. Make long strokes with pressure. Again, eight or fewer strokes should bring up the other two edges of the diamond face. If more strokes are required, something is being done incorrectly. Now, lay the graver flat on each of its two cutting edge sides and, pushing along its axis, hone away any feather raised when honing the diamond face. All three graver types described are honed in this manner. This is all the sharpening required for general turning and roughing cuts..." "...Remembering that only a polished tool cuts a polished surface, a graver to be used for making a polished cut should have a polished cutting edge. Following the shaping at the bench grinder and the honing on a fine India stone as described above, for finish cuts, the graver must then be polished on a hard Arkansas stone. As a general rule, a hard Arkansas stone is almost completely white—only slightly off white, is very slick and offers almost no resistance to the graver during honing. Such stones polish more than they cut. A soft Arkansas stone usually contains more color, has a rougher surface and is not satisfactory for this use. It cuts more than it polishes..."
Shown below are a few other types of gravers available. A set of gravers offered by Bergeon is shown below that includes Vallorbe square HSS gravers in widths of 2.25, 2.50, and 2.75mm, square carbon steel graver in width of 1.25mm, as well as a lozenge shaped carbon steel graver in a width 1.75mm. The set also included a burnisher (No. 1892-3012-3) for the ends of pivots.
A Box for My Movement
After making a few components, I realized I needed a storage box to keep my finished components in a safe, organized place. It is constructed out of strips of boxwood from an arts and crafts supply shop. I modeled it after a box that I seen in a photo of George Daniels' workbench that was on his* website a few years ago. An exception is that his doesn't appear to be large enough to fit the mainplate or dial in the box, so I made it a bit larger.
*The site is www.DanielsLondon.com, it is currently still active, but was completely changed in the last year or so. I imagine the site was created for George, but I somehow doubt it was created by himself...
While on the subject of woodworking; having run out of drawer space; here is a very simple block of wood drilled to hold the various arbors, chucks and drawbars while they are not in use.
A Bolt tool
Also referred to as a 'frog,' it is a simple jig for polishing screw heads and other flat components. The basic plans can be found on the Bristish Horological Institute's website. I used a 2" x 3" x ¼" piece of brass plate to start with. After lapping fairly flat, the vertical slide and milling vice on the lathe are used to mill the edges square and drill holes for the clamp piece and height adjustment screws. The clamp piece will be held with 3mm screws and the height screws will be ¼-20.
After using the tool a few times, I found the 1/4-20 threads a bit too coarse and the overall length of the tool too long, so I sawed it down and re-tapped it for 5mm threads and also added set screws so that the adjustments could be secured.
Heat Treating & Polishing
The basic setup for heat treating steel and flat polishing. I use an alcohol lamp for heating most parts and keep a small jar of mineral oil for hardening. Most polishing is performed on a piece of float glass and various grades of emery paper. I imagine any piece of glass would be sufficient for polishing, however, I purchased this glass from Alisam Engineering, and it is designed for honing.
Larger parts or tools are heated with a small butane torch. They need to be quenched in a larer quantity of oil, of course.
A Depth Transfer Gauge
A simple little tool for checking depths and lengths while machining a part without the need to use a caliper or micrometer, which can be awkward at times. It is a piece of brass rod, drilled through and a small lip turned one end and rounded on the other. A piece of drill rod is fit and slightly bowed to give a friction fit. I got the idea from Bill Smith's video titled, Tooling the Workshop.
A Saw or Grinding Table
I picked up a copy of "21st Century Watchmaking" by William O. Smith (not to be confused with the other Bill Smith of clockmaking fame). It is a very interesting book, demonstrating the production of flat components by a novel method, namely grinding the parts from gauge plate using the lathe and various cutoff discs and polishing wheels that are readily available from jewelry supply houses.
To facilitate the grinding, a saw table is used to hold and position the metal stock and apply to the grinding wheel. Cowells does make a large size saw table that mounts to the cross slide, it is not exactly suited for this purpose. Mr. Smith describes making various sized/shaped saw tables to use with different wheels and polishers. Here is the making of one of the saw tables...
It is designed to fit into the T-rest mount. The T-rest has a 5/16" shaft, so a post was made from 10mm O-1 drill rod to fit the T-rest base and has a shoulder at the top to fit a piece of 1/16" x 1½" O-1 gauge plate which has a mating 6mm reamed hole. The corners are relieved and it was lightly lapped to give a flat, smooth surface. Mr. Smith describes making the table from brass plate, which would have been easier to work with, but I thought the steel plate would provide a more rigid, longer lasting surface.
The two pieces are then riveted together
A slot is then milled to fit an aluminum oxide grinding wheel and another is filed to allow clearance for various knife edge polishing wheels
I made a simple blueing pan, for tempering (i.e. blueing) various sized screws. It is made from a section of 1 1/4" brass rod, faced on both sides and drilled and tapped for a 1/8" piece of music wire (that I happen to have laying about). I drilled a number of different sized holes to accept the various size screws that I have dies for.
Tapping attachment to the Staking Anvil
A stake-sized attachment was made that accepts the small Bergeon threading taps. A piece of 5mm O-1 drill rod is drilled 0.05 oversize to accept the tap shaft and a 1mm set screw is made and fit to the secure the tap in place. Tapping can then be performed on the staking anvil to maintain uprightness.
Choice of polishing media is quite broad. Classic texts refer primarily to oilstone powder and diamantine. These powders are mixed with oil to produce a paste. There are currently numerous prepared polishing pastes that can be purchased, as are various powders that can be used the same. I have been unable to find a source of 'oilstone' powder, however, emery paste mixed with oil seems to be a good alternative. Finer pastes are chromium oxide ('green' paste) or 'white' paste. The companies that produce these pastes do not provide much in the way of detail as to the actual composition. One can only experiment with them. I have certainly not exhausted the possibilities.
Diamantine can still be purchased through Bergeon, and is used in the same manner as described in the texts. Simichrome, a German made brand of fine metal polish, produces a very fine finish as well.